Jane Boyd Installations and Drawings

<body class="light"> <h2>Jane Boyd Installations and Drawings</h2> <table style='background-color: #666666; color: #ffffff;' cellspacing="0" cellpadding="16"> <tbody> <tr> <td> <blockquote> <small> Jane Boyd calls upon the power of the metaphorical image in her work. Time memory and consciousness have, for some time, ruled the vocabulary of her visual world of ideas. They are inseparable concepts forming the foundation of her perception of reality. Reality, observes Boyd, is constantly changing. Because we are part of this all-encompassing continuity our perception of reality is permeated with a perpetuating power that is rooted in the flowing mechanisms of our memories. </small> <p align="right"><small>Felix Villanueva 1995</small></p> </blockquote> </td> </tr> <tr> <td> <blockquote> <small> Space, Light and Drawing are the basic elements of Jane Boyd's work. The interrelations between these elements are not linear like those which have been consolidated in the history of creative art (i.e.: a trajectory from light-space to drawing, as in the transpositional or transfigurative work of the traditional artist; or from drawing to light-space, as in architecture or set design). Instead, they assume different connotations from one moment to another, as the boundaries between them tend to merge and the interrelations produce unexpected configurations. </small> <p align="right"><small>Fabrizio Crisafulli 1999</small></p> </blockquote> </td> </tr> <tr> <td> <blockquote> <small> Spazio, Luce, e Disegno sono i principali elementi alla base del lavoro artistico di Jane Boyd. Le relazoni che tali elementi stabiliscono tra loro non sono di tipo lineare, come quelle consolidatesi nella storia del fare artistico (ad esempio: dallo spazio-luce al disegno, come nell'operare traspositivo o trasfigurativo dell'artista tradizionale; dal disegno allo spazio-luce, come nell'architettura o nella scenografia), ma assumono connotazioni di volta in volta diverse, dove i confini tendono a confondersi e i rapporti possono trovare configurazioni inaspettate. </small> <p align="right"><small>Fabrizio Crisafulli 1999</small></p> </blockquote> </td> </tr> <tr> <td> <p><small><small><a href="copyrightandcredits.html">General Copyright Notice</a></small></small></p> </td> </tr> <tr> <td> <p><a href="installations1.html">Installations 1</a> <br><a href="installations2.html">Installations 2</a> <br><a href="drawings1.html">Drawings 1</a> <br><a href="drawings2.html">Drawings 2</a> </p> <p><a href="CV.pdf" target="_blank">Full Curriculum Vitae (PDF)</a> <br><a href="CV.html">Selected CV</a> </p> <p><a href="copyrightandcredits.html">Copyright and Credits</a></p> </td> </tr> </tbody> </table> <p> Your browser does not support frames or their support is disabled. Because of this, your access to this site is not optimal. The menu below enables you to navigate this site without using frames. Please use the "back" button in your browser to return to this menu. </p> </body>